seto kaiba uses tumblr executive suite 2016 for all his business needs
I love that fucking face
The best face
All of Marvel Netflix is just Claire Temple’s extended origin story
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the bend
and slap
I don’t even watch Star Trek but that is the most graceful bitchslap I have ever seen.
“This is your daily, friendly reminder to use commas instead of periods during the dialogue of your story,” she said with a smile.
“Unless you are following the dialogue with an action and not a dialogue tag.” He took a deep breath and sat back down after making the clarifying statement.
“However,” she added, shifting in her seat, “it’s appropriate to use a comma if there’s action in the middle of a sentence.”
“True.” She glanced at the others. “You can also end with a period if you include an action between two separate statements.”
Things I didn’t know
“And–” she waved a pen as though to underline her statement–“if you’re interrupting a sentence with an action, you need to type two hyphens to make an en-dash.”
You guys have no idea how many students in my advanced fiction workshop didn’t know any of this when writing their stories.
another dumb headcanon: superman is nice to birds because of course he is, and helps out birds who are in distress. also he can fly around with them. birds see a lot more of superman than they do of most people, basically. the unexpected consequence of this is that the crows of metropolis recognize superman as a friend. sometimes crows just follow him around like a weird flock, or try to give him shiny things. but mostly please just imagine luthor trying to gloat while threatening superman with kryptonite only to have a crow steal it. or just, generally, lex luthor getting attacked by crows. if that does not improve your day i don’t know what to tell you.
“What is that?”
Superman followed the direction of Batman’s gaze. A crow had landed on the rooftop beside them, and dropped a bottlecap near Superman’s feet. “Oh! Hey Francis. Is that for me?”
“Caw,” said Francis.
“Do you have a pet crow?” Batman asked.
“No, I don’t have pets,” Superman said as he bent down to retrieve the bottlecap.
“You named it.”
“Not this specific one,” Superman explained. “I just call all the crows Francis.”
“… why.”
“Caw, caw,” said Francis with a flap of its wings.
“I don’t know. Just calling them ‘crow’ felt rude after a while. I’d name them individually but I can’t actually tell them apart. Except for Old Francis and One-Eyed Francis.” Superman tucked the bottlecap into a small pocket on the back of his pants.
“Why Francis?”
Superman shrugged. “It’s gender neutral. I don’t want to misgender them just because they’re birds.”
“Of course you don’t,” Batman sighed, looking back out at Metropolis.
“Caw,” Francis added.
“Do you keep dog treats in your utility belt?” Superman asked.
“Why would I do that.”
“… in case you meet a dog that needs to know he’s a good boy?” Superman suggested. Batman shook his head, but opened a small pouch on his belt and held out a small treat. “See, it was a yes or no question, I don’t know why everything has to be such a production with you,” Superman said as he took it. He tossed it over by the bird’s feet. “Here you are, Francis. Keep up the good work.”
“Caw, caw,” Francis said. When it realized no more treats were forthcoming, it flew away in a flutter of black wings.
“You’re unbelievable,” Batman said, shaking his head again.
Superman took his eyes off the departing crow to look back at Batman, and frowned. “You know,” he said, “it’s really weird seeing you in costume during the day.”
“Don’t start.”
“It’s like seeing your teacher at the mall.”
“Don’t think I won’t take care of Poison Ivy without your help, if I have to.”
Superman shrugged. “I’m just saying.”
But…what if the crows also recognized him as Clark Kent? This mild-mannered reporter who doesn’t seem to do anything in particular to the crows that would make them like him, but they’re not afraid of him at all, and they keep trying to give HIM things, and Clark being a nice guy, he just. Accepts the bottlecap. Says thank you. Keeps walking. Lois adds another factoid to her “Weird Stuff About Clark Kent” file.
Maybe he tries to convince his coworkers that everyone is friendly with crows in Smallville. That the farmers discovered how smart crows are and decided to make friends with them instead of chasing them off.
Maybe he tries to talk the crows into palling around with him as Superman but going their separate ways as Clark Kent.
Please imagine Superman on top of a building holding Clark Kent’s glasses and trying to explain the concept of a secret identity to a flock of attentive birds.
I have love for this.
Here’s my life. My husband and I get up each morning at 7 o’clock and he showers while I make coffee. By the time he’s dressed I’m already sitting at my desk writing. He kisses me goodbye then leaves for the job where he makes good money, draws excellent benefits and gets many perks, such as travel, catered lunches and full reimbursement for the gym where I attend yoga midday. His career has allowed me to work only sporadically, as a consultant, in a field I enjoy.
All that disclosure is crass, I know. I’m sorry. Because in this world where women will sit around discussing the various topiary shapes of their bikini waxes, the conversation about money (or privilege) is the one we never have. Why? I think it’s the Marie Antoinette syndrome: Those with privilege and luck don’t want the riffraff knowing the details. After all, if “those people” understood the differences in our lives, they might revolt. Or, God forbid, not see us as somehow more special, talented and/or deserving than them.
There’s a special version of this masquerade that we writers put on. Two examples:
I attended a packed reading (I’m talking 300+ people) about a year and a half ago. The author was very well-known, a magnificent nonfictionist who has, deservedly, won several big awards. He also happens to be the heir to a mammoth fortune. Mega-millions. In other words he’s a man who has never had to work one job, much less two. He has several children; I know, because they were at the reading with him, all lined up. I heard someone say they were all traveling with him, plus two nannies, on his worldwide tour.
None of this takes away from his brilliance. Yet, when an audience member — young, wide-eyed, clearly not clued in — rose to ask him how he’d managed to spend 10 years writing his current masterpiece — What had he done to sustain himself and his family during that time? — he told her in a serious tone that it had been tough but he’d written a number of magazine articles to get by. I heard a titter pass through the half of the audience that knew the truth. But the author, impassive, moved on and left this woman thinking he’d supported his Manhattan life for a decade with a handful of pieces in the Nation and Salon.
Example two. A reading in a different city, featuring a 30-ish woman whose debut novel had just appeared on the front page of the New York Times Book Review. I didn’t love the book (a coming-of-age story set among wealthy teenagers) but many people I respect thought it was great, so I defer. The author had herself attended one of the big, East Coast prep schools, while her parents were busy growing their careers on the New York literary scene. These were people — her parents — who traded Christmas cards with William Maxwell and had the Styrons over for dinner. She, the author, was their only beloved child.
After prep school, she’d earned two creative writing degrees (Iowa plus an Ivy). Her first book was being heralded by editors and reviewers all over the country, many of whom had watched her grow up. It was a phenomenon even before it hit bookshelves. She was an immediate star.When (again) an audience member, clearly an undergrad, rose to ask this glamorous writer to what she attributed her success, the woman paused, then said that she had worked very, very hard and she’d had some good training, but she thought in looking back it was her decision never to have children that had allowed her to become a true artist. If you have kids, she explained to the group of desperate nubile writers, you have to choose between them and your writing. Keep it pure. Don’t let yourself be distracted by a baby’s cry.
I was dumbfounded. I wanted to leap to my feet and shout. “Hello? Alice Munro! Doris Lessing! Joan Didion!” Of course, there are thousands of other extraordinary writers who managed to produce art despite motherhood. But the essential point was that, the quality of her book notwithstanding, this author’s chief advantage had nothing to do with her reproductive decisions. It was about connections. Straight up. She’d had them since birth.
In my opinion, we do an enormous “let them eat cake” disservice to our community when we obfuscate the circumstances that help us write, publish and in some way succeed. I can’t claim the wealth of the first author (not even close); nor do I have the connections of the second. I don’t have their fame either. But I do have a huge advantage over the writer who is living paycheck to paycheck, or lonely and isolated, or dealing with a medical condition, or working a full-time job.
How can I be so sure? Because I used to be poor, overworked and overwhelmed. And I produced zero books during that time. Throughout my 20s, I was married to an addict who tried valiantly (but failed, over and over) to stay straight. We had three children, one with autism, and lived in poverty for a long, wretched time. In my 30s I divorced the man because it was the only way out of constant crisis. For the next 10 years, I worked two jobs and raised my three kids alone, without child support or the involvement of their dad.
I published my first novel at 39, but only after a teaching stint where I met some influential writers and three months living with my parents while I completed the first draft. After turning in that manuscript, I landed a pretty cushy magazine editor’s job. A year later, I met my second husband. For the first time I had a true partner, someone I could rely on who was there in every way for me and our kids. Life got easier. I produced a nonfiction book, a second novel and about 30 essays within a relatively short time.
Today, I am essentially “sponsored” by this very loving man who shows up at the end of the day, asks me how the writing went, pours me a glass of wine, then takes me out to eat. He accompanies me when I travel 500 miles to do a 75-minute reading, manages my finances, and never complains that my dark, heady little books have resulted in low advances and rather modest sales.
I completed my third novel in eight months flat. I started the book while on a lovely vacation. Then I wrote happily and relatively quickly because I had the time and the funding, as well as help from my husband, my agent and a very talented editor friend. Without all those advantages, I might be on page 52. OK, there’s mine. Now show me yours.
Ann Bauer, ““Sponsored” by my husband: Why it’s a problem that writers never talk about where their money comes from”, http://www.salon.com/2015/01/25/sponsored_by_my_husband_why_its_a_problem_that_writers_never_talk_about_where_their_money_comes_from/ (via angrygirlcomics)
This is so important, especially for people like me, who are always hearing the radio station that plays “but you’re 26 and you are ~*~gifted~*~ and you can write, WHERE IS YOUR NOVEL” on constant loop.
It’s so important because I see younger people who can write going “oh yes, I can write, therefore I will be an English major, and write my book and live on that yes?? then I don’t have to do other jobs yes??” and you’re like “oh, no, honey, at least try to add another string to your bow, please believe that it will not happen quite like that”
It’s so important not to be overly impressed by Walden because Thoreau’s mother continued to cook him food and wash his laundry while he was doing his self-sufficient wilderness-experiment “sit in a cabin and write” thing.
It’s so important because when you’re impressed by Lord of the Rings, remember that Tolkien had servants, a wife, university scouts and various underlings to do his admin, cook his meals, chase after him, and generally set up his life so that the only thing he had to do was wander around being vague and clever. In fact, the man could barely stand to show up at his own day job.
It’s important when you look at published fiction to remember that it is a non-random sample, and that it’s usually produced by the leisure class, so that most of what you study and consume is essentially wolves in captivity - not wolves in the wild - and does not reflect the experiences of all wolves.
Yeah. Important. Like that.
(via elodieunderglass)
if i ever get a DUI, i’d like it to go like this
do yourself a favor and watch this. seriously. but plz don’t drink and drive.
nature is amazing
DONT DRINK AND DRIVE, but yes please watch this it’s Fuckn GREAT
with this guys plethora of skills I honestly believed for a minute that he was just really weird and not at all drunk
I’m pretty sure this is from Reno 911!
So 2016 is SO bad that it made the creator of this meme give us an alternative version of “This is Fine”.
graysongraysoff